Thank you, Peder Øiseth, for playing trumpet so astonishingly and for taking the lead role in the brass section, we would not have made it without you.
Thank you, Beate Elstad, for playing your saxophone so phenomenally and for your lead role in the woodwind section.
Thank you for playing so beautifully on your clarinet, Erlend Magnus Barrat-Due Solum.
Thank you, Wenke Hagebakken, for wonderful play on your saxophone.
Thank you for playing so exceptionally well on your baritone saxophone, Vigdis Kromvoll.
Thank you, Kristin Gundersen, for playing trumpet so fabulously.
Thank you for playing the trombone so magnificently, Kari Sørensen.
Thank you, Trude Bang, for playing so wonderful on your trombone.
Thank you so much, Christian Svensson, for marvelous drumming.
Thank you, Runar Johannessen, for playing the drums so stunningly well on “Good Times”.
Thank you, Ingrid Elisabeth Thomassen, for playing the drums so brilliantly.
Thank you so much, Monica Ruud, for your awesome percussion.
Thank you, Anwar Bitàr, for playing the snaredrum so well.
Thank you, Tove Bøygard, for playing the banjo and your wonderful singing on “In the land of me”.
Thank you, Silja Starbo, Bibiana Dahle Piene, Nils Andersen, Pål Værlien and Peter Hoff for singing, shouting and talking in the nice session in Urban Studio. The spoken words on “Fuck You” would not have been the same without your excellent contribution.
Big thanks to Line Grenheim for her outstanding violin playing and for joining in to the world of Tsarsten & the Freudian Slippers. My heart is yours.
I am so grateful to Bitten Forsudd for playing the Tuba miraculously well and for her awesome singing. Thank you for joining in into the madness of the Freudian Slippers and for being you. I adore you.
Thank you so very very much, Kirsti Bakken Kristiansen, for your breathtaking singing on “In the Land of Me” and on “Loveless Love”. Your singing just made the songs! Thank you also for becoming an Freudian Slipper.
Tons of thanks to Ragnhild Bruseth whom I love with all my heart, there would not have been any Freudian Slippers if it wasn’t for her. Thank you, Ragnhild, for playing just about any instrument I give you and playing each of them so impeccable.
Many thanks to Truls Agnar Skjørholm for playing the drums so splendid and for joining the Freudian Slippers. With you nothing or everything is awkward and I love it! You are a natural born Freudian Slipper.
I am forever thankful to Siri Austeen for everything, her astonishing singing, laughing, playing the saxophet so remarkably and for becoming a key member in the Freudian Slippers, as you already are in my heart.
Big hugs and forever love to Paul Brady and Hege Vadstein, Webverket, whom made and designed the cover, the booklet and the website. Magnificent, the artwork is excellent and it is done in a very short time limit. You are my dream team and I am forever grateful to you.
Thanks to Siri Austeen for the idea to the cover and the QR-code artwork. You are the fantastic!!
Thank you so very, very much! You are an essential part of the heart of Freudian Slippers.
Thank you so very very much, Ilja Hendel, for your amazing photographing, we love you and your photos!
Thank you, Jarle Odland, for photographing so wonderfully and for the lovely photo session.
Thank you, Line Grenheim, for your astonishing photos from the expedition.
Thank you, Berit Hætta, for lending us your beautiful reindeer. It was a once in a lifetime experience and I will never forget it, thank you so much.
Thank you, Helene Cathrine Bøhler, for lending us your yurt during photo shoot and for being such a nice person.
Thank you, Thomas Armitage, for helping with the English.
Thank you, Marianne Källman, for helping out with everything during the making of Caravan Serai.
The album is made out of love to Lefsa.
This album is dedicated to Anette Koppang. Thank you so very much for your wisdom and needles, I could not have made this album without your help. Acupuncture derives from ancient China and its practice traveled along the Silk Road to the rest of the world.